Dubstep wordt Electro

Hier klein verhaaltje geef je mening! (source; http://uhohdisco.com) (2 tracks)

It really is shocking how fast the music industry of today evolves, especially when compared to the one the world knew, oh say, 50 years ago. Sometimes I become lost within my own mind, pondering the issue of whether it really is an artist himself that shapes the kind of impression he leaves on the world, or if it actually has more to do with the industry surrounding him. Let me explain:

The Beatles are known to a rather large portion of people as one of, if not the greatest band in history, and this is likely due, in large part, to the near legendary status the band has achieved through the extended amount of time they’ve spent in the limelight, the worldwide, simultaneous acceptance of their music, and to the stories that have thusly been passed down through several generations (although as of this month, the stories will very likely cease to be passed on, and will hereby be replaced by “Rock Band,” and quite naturally, an entire generation of children shouting, “Hey wait! How did those guys know Rock Band songs before the game was even invented?”). But let us, for the sake of this point, pretend that the Beatles had started their revolutionary work in 2009, rather than in the 60’s. If their music had been able to spread across the world in a matter of only a couple minutes, rather than several years, would they have made such a substantial impact? Or would would the constant music stimulation from blogs and instant media sources allow them to fall out of the mainstream just as easily as they came into it?

Either way, there’s no denying the fact that today’s music industry moves very fast. I recall a time only a few years back when dj’s who chose to drop an electro track at a party would quickly find themselves either spinning for an empty house, or would be continuously bombarded by the infamous, “Can you play something I can dance to?” request. And yet here we are today, listening to MSTRKRFT’s Heartbreaker on mainstream radio and watching Will.I.Am morph into Zuper Blahq. That means that it took only three years for electro to go from completely unheard of to full on mainstream, and I’m convinced that this is, whether or not we want to accept it, the way of the future.

So what, you might ask, got me thinking about all this hypothetical junk? Strangely enough, it wasn’t the Beatles, and it wasn’t electro; It was dubstep. In thinking about this emerging genre, it is impossible to ignore the plethora of ties that it has to the electro world (and no, not it terms of sound, but rather of progression). Electro started out completely underground, and then gathered attention by including hip hop verses and associating itself with the mainstream hiphop world, and in an astonishing parallel, dubstep started out as a peculiar British phenomenon that struggled to fill even the smallest of venues, and has since gathered considerably more attention by associating itself with the electro world.

So what does this mean? Has today’s music industry really changed the way music itself evolves? It it still possible for a single artist to remain at the forefront of the industry for more than a couple years? How far will dubstep go? Will it follow the same evolutionary path that electro did?

voorbeelden
TC – Where’s my money (Caspa Remix – Jack beats Re-edit)

Udachi – Jellyroll

8 Responses to “Dubstep wordt Electro”


  1. 1 KARIMO

    Dit zal altijd gebeuren, ook met dubstep. Maar gelukkig houd je ook altijd de meer underground versie(s). Zo ook met electro.

  2. 2 Dieuwer

    alles gaat t snel ik hou t niet meer bij joh

  3. 3 Johan

    Electro is toch nooit mainstream geweest? Electrohouse wel lijkt me. Denk sowieso niet dat dubstep de mainstream level zal halen van electrohouse, niet in Nederland in ieder geval.

  4. 4 Guerilla Derriere

    waarom niet?

    eastern jam, cockney thug en where’s my money kan je op elk schoolfeest wel draaien!

    kelis & crookers maken samen een dubsteptrack, eve maakt een track met benga en ik heb gisteren tijdens het zappen rusko’s remix van kid sister gebruikt zien worden in een filmpje van veronica!

    ohjah en niet vergeten die snoop dogg verkrachting van chase en status! just sayin’

    de wobbly dubstep van posterboys rusko, caspa etc hebben in mijn opinion genoeg commerciele appeal om door te breken in de commercie. Niet perse iets slechts imo

    dan worden de stoere papi’s die underground willen blijven gepusht om next level shit te doen

  5. 5 henk de koning

    ik vind t allemaal prima doag!

  6. 6 Johan

    Goede commerciele voorbeelden Guerilla. Zou zeker mooi zijn als de massa in Nederland eens voor iets anders gaat dan 4×4 muziek, maar zie het gewoon niet zo snel gebeuren. Hoewel ik wel toe moet geven dat het er op lijkt dat dubstep het best ver heeft gehaald in NL tot nu toe, maar of het nog ver genoeg gaat halen in NL?

    Dat Eve samen met Benga wat doet of Kelis een dubstep track maakt met Crookers is zeker wel tof voor de genre, maar of dat in NL wat uitmaakt is maar de vraag.

    Een Oi! tent op Mysteryland zal niet zo groot worden als een Cocoon tent op Mysteryland (om maar een voorbeeld te geven). Ik hoop van harte dat dat ooit gebeurt, maar zie het niet zo snel gebeuren hier.

  7. 7 Russel Huntoon

    Love the blog, I’ve listened to hot pink delorean like 41 times today. Keep up the blog man!

  8. 8 Julian Bromfield

    Hello! I was interested to know if setting up a blog such your own: http://www.vagegasten.nl/music/dubstep-wordt-electro/ is hard to do for inexperienced people? I’ve been wanting to develop my own website for a while now but have been turned off because I’ve always believed it required tons of work. What do you think? Thanks alot :)

Leave a Reply